Liz Allbee's second full length solo unwinds a cozily misanthropic sonic cloth with hidden barbs sure to draw blood. Each track treads further into unnerving terrain: sonar-pings dizzy your ears, unknown nursery rhymes warble from an abandoned tongue, a blur of wings beating in phase consumes all perception until a flat drum slowly summons resplendent horns and vocals rising to dump the entire hell onto its back.

Fasten a thread to one finger, but dare to take yourself inside "Theseus vs." Limited edition of 350, packaged in a handmade silk screened box.

-- SOLD OUT --
Warm, fuzzy, rabid in the way a soft muzzle tickles your neck then turns frenetic with the nibbling insistence of long teeth beneath lippy velvet. No one conjures sanguine madness like Liz Allbee on this her long-anticipated solo release.

One side is titled “Outside Inside” the other “Inside Inside”. Drawn from recordings at Marin Headlands Center for the Arts, it includes two entire takes of a single mental composition overlaid to reveal how timing/structure speaks to itself.

The edition is limited by the number of keys on a piano once the instrument has been nibbled apart into pairs of hammers between which are nestled spools of magnetic tape, soft, shiny, ready to slip like warm marrow into your palm.

Liz Allbee plucks out her eyes and sings through both sockets in this dizzying debut of blown bits, amputated dances, and miscreant sound. Connecting the conch shell to the microprocessor to the little finger dipped in the alternating current, Allbee summons a mutant orchestral spread of plangent electronics, horn holes, and unnerving vocals. The release that launched a label.

Drawing current and breath through metal... it’s hard to picture just how either is possible, but Schnüffler plumbs the backwaters of both aural miracles in an engrossing, if pageless, storybook entitled "Rauschbereich."

The name of Gino Robair and Liz Allbee's hyper-attuned duo, Schnüffler, is a colloquialism meaning someone who huffs substances. "Huffing" is equal parts curiosity and consuming obsession, and as any huffer knows substance has a way of vanishing. So hork up yours before this handbuilt edition of just 56 copies, end-pages beautifully illustrated by Allbee herself, is gone for good.

East-West Bicameral Hypnagogy with Anti-Ear, Carlos Giffoni, Hans Grusel, J Graf, Liz Allbee, M.V. Carbon, and SIXES. This is volume one in what will be a series of induced collaborations. These are improv duos among seven musicians from east and west coasts. Track one is a full circle of exquisite-corpse style duos, each artist playing two minutes beginning with one musician but finishing with another. Eat this disc.

Yep, this is the compilation you heard about. Solve the enclosed crossword with your ears or find the cheat sheet hidden inside; your clues include: Sun City Girls, Caroliner, Nautical Almanac, Metalux, Wolf Eyes, Mono Pause, Hans Grüsel's Krankenkabinet, Tarantism, Tom Recchion, Fat Worm of Error, Sixes, Bran(...)Pos, Masonic Youth, Pod Blotz, Smegma, Panicsville, too many more.

The Resipiscent catalogue only gets better! Here it is, the eagerly anticipated third release from Mono Pause, Sublime Frequencies maker, Mark Gergis. Lethal 14th c. field recordings cuddle with razor-scored melodies and swirled radio psychedelia. Flatline drunken domesticity and circuit murder summon a festive, fertile melancholy. Unguessable, peerless, truly a scrubber for the bloody stuff past your ears.